So if you save a Wavestation performance, the program is intelligent enough to know that you also need the correct patches and wavesequences to make it sound correct when retrieved later. Unisyn understands synths with strange architectures (such as the Korg Wavestation) and keeps track of 'parent/child' patches. It then becomes an easy matter to retrieve all those D110 bass sounds that are resonant and have a fast attack, for example. Unisyn has the best cataloguing method I've seen, but if you find there aren't enough keywords already provided, you can define your own. ![]() Banks correspond to the patch locations in your synth and Libraries are any collection of patches which you catalogue using keywords and descriptive text. ![]() Having created that killer new patch, you'll probably want to store it away, either within a Bank or a Library. Your new sounds can then be auditioned with a few mouse clicks. Because some profiles are quite large, a small jump menu is provided to quickly take you to the most important areas of the edit screen.Īs well as allowing you to edit existing patches using a familiar array of sliders and graphical envelopes, Unisyn contains a superb selection of randomise and blend options with the ability to mask those parameters most likely to cause chaos. The edit screens are clear and logically laid out and I felt instantly at ease with their operation. Double clicking opens the edit menu, but I was disappointed to see the old X‑Or limitation preventing opening of two edit windows at the same time. The Modules window maintains a complete status check and you can play each instrument either with the mouse, an on‑screen keyboard, or your usual controller. Once you're set up, a single click with the mouse connects you to each device. Then you're ready to start tweaking sounds and building libraries. A quick check of connections can be made by selecting each instrument in turn and grabbing a patch or two. Unisyn works well with a MIDI patchbay, making all the routings beautifully transparent, but even if you only use a simple manual switcher, Unisyn can remember this and prompt you when necessary. The excellent manual talks you through configuration in a friendly and reassuring manner. Sadly there was no support for my Boss SE50 multi‑effects, or my Korg S3 drum machine, and I guess it's still a little early for my sexy new Korg Prophecy. It took me about 20 minutes to set up communication with nine instruments in my system, including telling Unisyn which MIDI port, channel and MIDI patchbay program each of them expect. This is a procedure that will vary according to the size of your rig. Usefully, MOTU have provided several generic 'SysEx dump' profiles which allow you to obtain data from synths which are not currently supported - obviously you can't do much other than send and receive, but the facility is welcome nonetheless. These profiles are sourced from a number of different authors (there's no provision for creating your own) and are free to registered users (see 'Unisyn Supported Instruments' box). ![]() Synths are accessed by a series of profiles, with the more complex instruments being separated into individual modules - there are six for the Korg Wavestation, for example. Unisyn is a single program that allows you to edit a wide range of MIDI devices from a consistent‑looking set of screens. Now that Unisyn for Windows has finally arrived, this patient X‑Or owner is anxious to see if it was worth the wait. In 1993, Dr T's sold the program to Mark Of The Unicorn and, although the Mac version quickly reappeared under the new name Unisyn, the PC version went into oblivion. It was intended to grow with you, since new instruments could easily be added in the form of new 'profiles', and it was available for the Macintosh, PC, Amiga and Atari ST. Released back in 1989, Dr T's system eXclusive ORchestrator ( X‑Or) provided revolutionary control over an entire MIDI system, replacing a stack of dedicated synth editors and librarians. Paul Nagle perks up his patches with Unisyn. Windows users looking for comprehensive and professional editor/librarian support for their MIDI instruments may not need to look any further.
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